Nuria Pique

PAINTING ON CANVAS

SCULPTURE AND PAINTING ON WOOD

INORGANIC SCULPTURE

CONTEMPORARY ART

CERAMIC MATERIALS

CONSERVATION PRÉVENTIVE

COLLECTIONS DOCUMENTATION

Emergency protection
  Consolidation of support / stabilization
    Repair rips & holes
        Technical adhesion thread to thread
        Textile grafts with microsurgery
        Reinforcing Wire Bridge
Fixing the pictorial layer
Test-clean with cleaning solvents and buffers
Correction of deformities and wrinkles
Levelling of gaps
Chromatic reintegration
Back protection

“Saint Macari”. Painting on canvas. Ca. 1700. Attributed to Jaume Pons i Monravà. Church of sant Joan de Valls. Before intervention. Photography: C. Aymerich.

“Saint Macari”. Painting on canvas. Ca, 1700. Attributed to Jaume Pons i Monravà. Church of sant Joan de Valls. After intervention. Photography: C. Aymerich.

“Scenes of Brull battle”. Painting on canvas. Francesc Cuixart Barjau. S.XIX-XX. Museu Comarcal de Manresa. Cleaning process.

“Interior scene”. Painting on canvas. Lluis Graner i Arrufí. Private collection. General image before intervention.

“Interior scene”. Painting on canvas. Lluis Graner i Arrufí. Private collection. Detail before intervention.

“Interior scene”. Painting on canvas. Lluis Graner i Arrufí. Private collection. Detail after intervention.

“St. John the Baptist”. XVIII Century. Cathedral of Girona. Ultraviolet image before intervention.

“St. John the Baptist”. XVIII Century. Cathedral of Girona. General image after intervention for conservation-restoration.

“Saint Joseph Oriol”. Joseph-Bernard Flaugier, XVIII-XIX Century. Church of Santa Maria del Pi. Barcelona. Detail before intervention.

“Saint Joseph Oriol”. Joseph-Bernard Flaugier, XVIII-XIX Century. Church of Santa Maria del Pi. Barcelona. Detail of fixative picture layer process.

“Saint Joseph Oriol”. Joseph-Bernard Flaugier, XVIII-XIX century. Church of Santa Maria del Pi. Barcelona. Leveled of faults.

“Les Nymphèas”. Emili Grau Sala. XX Century. Private collection. General image after intervention.

“Port of Barcelona”. Segundo Matilla Marina, XIX-XX Century. Private collection. Initial state which had perforated the fabric.

“Port of Barcelona”. Segundo Matilla Marina, XIX-XX Century. Private collection. Pictorial reintegration.

“Port of Barcelona”. Segundo Matilla Marina, XIX-XX Century. Private collection. Image after the restoration.

“Note”. Francesc Gimeno, XIX-XX century. Museu de Tossa. Image after the restoration.

“Pique-nique”. Olga Sacharoff, XIX-XX century. Museu de Tossa. Image after the restoration.

“Garden”. Joaquim Mir, XX century. Private collection. Levelled of faults.

“Presentation in the temple”. Antoni Viladomat, XVII-XVIII century. Museu Diocesà de Barcelona. Textile microsurgery.

“Presentation in the temple”. Antoni Viladomat, XVII-XVIII century. Museu Diocesà de Barcelona. Textile microsurgery.

“Presentation in the temple”. Antoni Viladomat, XVII-XVIII century. Museu Diocesà de Barcelona. Thread to thread suture with microsurgery on textile.

“Presentation in the temple”. Antoni Viladomat, XVII-XVIII century. Museu Diocesà de Barcelona. Threads application to reinforcement with textile microsurgery.

“Presentation in the temple”. Antoni Viladomat, XVII-XVIII century. Museu Diocesà de Barcelona. Chromatic reintegration.

“Mare de Déu del Roser”, XVII century. Private collection. Image after restoration.

“Male portrait”. Lomcremor, 1838. Private collection. Cleaning process with buffers (left image) and second cleaning with solvents (right image).